Sep
29

ICYMI: Highlights from the week that was Sept. 17–Sept. 23, 2017

No one can keep up with everything, so let us do it for you. We’ll gather the top Smithsonian stories from across the country and around the world each week so you’ll never be at a loss for conversation around the water cooler.

The week’s biggest news was the one-year anniversary of our newest museum—still the hottest ticket in town. We know you didn’t miss it, but just in case…(And some other stuff happened, too.)

 

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Kim Gordon’s tribute to Yoko Ono: Cool and screamy, with a guitar on your face

The Washington Post, Sept. 18

Gordon writhes on ground holding guitar

Kim Gordon performs at the “Concert for Yoko Ono, Washington and the World” on Sunday at the Hirshhorn Museum. (Josh Sisk for The Washington Post)

What happened to you on Sunday night when Kim Gordon started screaming? Maybe you felt your capillaries go frosty. Or maybe you collapsed in laughter. Maybe you cheered. Or ducked. Or maybe you tightened up, unsure of how to feel about the forever-cool co-founder of Sonic Youth channeling the delirium of a thousand slasher movies into one cosmic wonder-wail.

The point is you had options. Gordon was headlining the “Concert for Yoko Ono, Washington and the World,” a tribute show presented in the courtyard of the Hirshhorn Museum, and because Ono’s experimental pop music is all about radical possibilities, your body could respond in more ways than one. Read more from Chris Richards for The Washington Post.


Mutant butterflies reveal the genetic roots of colorful wings

The Washington Post, Sept. 19

Two butterflies with different black and red markings

Owen McMillan / Smithsonian Tropical Research Institute

Engineered mutant butterflies give a glimpse deep into the genetic roots of wing patterns, an international team reported Monday in the Proceedings of the National Academy of Sciences. The authors of the new study rearranged colors on butterfly wings by deleting a single gene using a genome editing tool called CRISPR. The gene’s absence had a dramatic effect in seven butterfly species, including some that aren’t closely related.

“It’s extraordinary that it works so broadly,” said Owen McMillan, a staff scientist at the Smithsonian Tropical Research Institute and an author of the study. “It’s getting rewired across nymphalids [a family of butterflies] in really fundamentally different ways.” Read more from Ben Guarino for The Washington Post.


Smithsonian wins grant to create recovery plan, oyster reef for Rhode River

The Baltimore Sun, Sept. 19

Two men on boat

West/Rhode Riverkeeper Jeff Holland, left, and Anson “Tuck” Hines, director of the Smithsonian Environmental Research Center, cruise the Rhode River in 2016. Holland and the center are partnering on the Rhode to Recovery. (Joshua McKerrow / Capital Gazette)

Scientists at the Smithsonian Environmental Research Center think they’ve come up with a novel approach to cleaning up one of Anne Arundel County’s degraded rivers — working closely with others on the same goal.

The National Fish and Wildlife Foundation and the Environmental Protection Agency announced a $200,000 grant Tuesday that will fund the Rhode to Recovery, a collaborative effort led by the Edgewater research center to get those studying, working on and living in the small watershed to agree on priorities for cleanup, said Dr. Alison Cawood, citizen science coordinator for the project. Read more from Rick Hutzell for The Baltimore Sun.


After 87 years in a Smithsonian collection, bones of Igiugig ancestors return home

In 1931, a Smithsonian anthropologist excavated the bones of 24 men, women and children from a village site near Igiugig. After eight decades in the museum’s collection, those remains were reburied near their original places of rest.

KDLG-Radio, Sept. 19

Adults and children in traditional clothing

The Igyararmiut, the residents of Igiugig, performed a traditional blessing dance. (Credit Avery Lill/ KDLG)

About half of Igiugig’s 69 citizens crowded into Saint Nicholas Orthodox church last week. The nave was hazy with incense as the priest conducted the funeral service in a mix of English and Yup’ik. In the center of the room sat three handmade, wooden coffins. Inside were the bones of 24 men, women and children from the now abandoned settlement of Kaskanak.Museum of Natural History. During his 1931 trip to Bristol Bay, he likely excavated remains near Aleknagik, Ekwok, Koliganek and other communities as well.

Their remains were unearthed 87 years ago by Aleš Hrdlička, who was the head of the Anthropology department in what is now the Smithsonian’s National Museum of Natural History. During his 1931 trip to Bristol Bay, he likely excavated remains near Aleknagik, Ekwok, Koliganek and other communities as well. Read more and listen to the story from Avery Lill for KDLG.


He was the first black man elected to Congress. But white lawmakers refused to seat him.

The Washington Post, Sept. 21

Engraving from the 1860s

“The First Colored Senator and Representatives.” (Library of Congress)

In an etching from the 1860s, John Willis Menard appeared tall and lean, dressed in a black suit with tails. He stood behind an ornate lectern. White members of Congress looked on. Menard’s left hand clenched his speech. He raised his right hand:

“Mr. Speaker, I appear here more to acknowledge this high privilege than to make an argument before this House.”

On Nov. 3, 1868, John Willis Menard became the first black man elected to the U.S. House of Representatives. But Congress refused to seat him. Read more from DeNeen L. Brown for The Washington Post.


The White House may be chaos, but our old presidents are looking dignified

The Washington Post, Sept. 21

Visitors gaze at portrait of washington

One of the two entrances with the painting of President George Washington featured which is part of the reopening of The Presidents Hall’s most popular exhibition on the American presidents at the National Portrait Gallery. (Photo by Astrid Riecken)

Nothing seems stable, dignified or unifying about the presidency these days, which is what makes the newly designed “America’s Presidents” exhibition at the National Portrait Gallery such a relief. Closed since early this year, the rooms devoted to portraits of this country’s chief executives (and sometimes their wives and family members) have been reinstalled for the first time since 2006, with new carpeting, lighting, window treatments and touch-panel information screens. Some of the works on view are different, and all of the wall texts have been rewritten. Given the way so many museums are going today — toward entertainment and trivial educational agendas — one couldn’t help but wonder what the Portrait Gallery would do with one of its most beloved, and most important, hallmark exhibitions. The good news: The curators went for substance. Read more from Phillip Kennicott for The Washington Post.


Burn this story about Yoko Ono after you’ve read it

PBS Newshour, Sept. 21

Ono reflected in mirrors

Yoko Ono pauses at one of the entry points to her art work “Entrance” at the Teatro Nacional in Brasilia, Brazil. Photo taken in 1998. Photo by Reuters

The instructions were simple, but take years to complete.

One night in London more than 50 years ago, Yoko Ono broke a vase on stage before her audience. She then asked them to pick up a piece, one by one, to carry home.

As retold in her subversive book of instructions “Grapefruit,” which came out in 1964, anyone who took a fragment of the vase would promise to meet again in 10 years to reassemble the smashed object.

At a one-night-only tribute Sunday at the Hirshhorn Museum and Sculpture Garden in Washington, D.C., Ono’s “Promise Piece” was once again orchestrated, this time by experimental artist and musician Kim Gordon. Read more from Joshua Barajas for PBS Newshour.


National Museum of African American History and Culture celebrates first anniversary

CBS News, Sept. 22

Screenshot from CBS This Morning program

About one year ago, “CBS This Morning” had the honor of being the first media outlet to broadcast from the National Museum of African American History and Culture. Since then, nearly three million people have visited the newest Smithsonian museum, making it one of the most popular Smithsonian destinations in the nation’s capital.

More than 8,000 people a day walk through the museum, twice as many people as organizers had prepared for. It’s been a overwhelming response to a place that confronts painful issues people don’t always want to talk about — and celebrates the triumphs — reports CBS News correspondent Jan Crawford. Read more and watch the broadcast from “CBS This Morning.”


As The African American History Museum Turns One, Director Lonnie Bunch Looks Back

DCist, Sept. 21

Two girls in school uniforms stand in front of waterfall fountain

(Photo by anokarina)

Since Ruth Odom Bonner joined President Barack Obama in ringing the bell to open the Smithsonian’s National Museum of African American History and Culture last year, more than 2.5 million people have visited the site.

“What’s been so moving is that it’s clear after a year, the museum has already become a pilgrimage site,” says Director Lonnie Bunch, who began the “great adventure” of opening the museum in 2005. What followed was more than a decade of building a collection and a building from scratch.

It culminated on September 24, 2016 when the daughter of a slave and the nation’s first black president tolled the 500-pound bell that had been lent by the historically black First Baptist Church in Williamsburg, Va. and ushered people in. Read Rachel Sadon’s interview with Director Lonnie Bunch for DCist.


The African American Museum a year later: Still the hottest ticket in town

The Washington Post, Sept 22

Man in green shirt gazes at fountain

Dwayne Wilson of Delaware, who was on his first visit to the National Museum of African American History and Culture, sits in the Contemplative Court. The room, which features an indoor water cascade, has become a favorite spot in the museum for many. (Evelyn Hockstein for The Washington Post)

A year after it opened, the Smithsonian’s National Museum of African American History and Culture has helped change the landscape of Washington. It remains one of the hottest tickets in town, it is an essential stop for out-of-town tourists, and it has succeeded in attracting a diverse, engaged, multicultural and international audience. It has also changed the center of gravity on the Mall, drawing crowds to its symbolic nodal point, where the Washington Monument connects the White House and Jefferson Memorial to the Capitol and Lincoln Memorial. There is an energy along 14th Street and Constitution Avenue NW that feels new, and welcome, in the city.

It has also settled into its site, and whatever reservations remain about its basic form — a sharp break with Washington’s tradition of monumental masonry architecture — are mitigated, at night, when light filters through the latticework of its three-tiered metal corona. Like so many large buildings in the ceremonial core of Washington, now that it’s there, it seems always to have been there. Read more from Philip Kennicott for The Washington Post.


The National Museum of African American History and Culture Celebrates Its First Anniversary

Oprah Winfrey Network, Sept. 23

Screenshot of aerial view of African American Museum at night

Millions of visitors have passed through the galleries of the National Museum of African American History and Culture since it first opened its doors to the public on September 24, 2016.

One year later, Oprah looks back on how visiting the museum—which chronicles the African-American experience with powerful artwork, artifacts, films and interactive media—has become an “emotional pilgrimage” for many Americans. “It stands as a gleaming testament to the courage, struggle and triumph of every soul who shared in our story,” she says. Read more and watch the complete episode of SuperSoul Sunday on the Oprah Winfrey Network. 


Posted: 29 September 2017
About the Author:

Alex di Giovanni has been editing The Torch since August 2006. Prior to joining the Smithsonian, she worked as a writer and editor for the National Geographic Society, Plexus Scientific, The Nature Conservancy, The National Foreign Language Center and St. Martin’s Press, among others. She has the best job in the world.

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